Framing and photo sequence
How to build a sequence that first shows the whole item and then the details that matter.
The main image should show nearly the entire item and make its shape immediately recognisable.
Leave a small margin around the subject and avoid accidental cropping.
For long objects such as guitars or keyboards, choose an orientation that makes good use of the available frame.
The main photo does not need to be the most creative one; it should be the most informative at a glance.
After the main view, photograph surfaces that are not visible.
Depending on the item, useful views may include:
- rear of the body;
- back of the headstock;
- rear panel;
- cabinet sides;
- underside of a pedal;
- rear connections;
- bottom surface;
- edges.
Keep a similar distance and camera height between shots where possible. The image set will then be easier to compare.
A very close perspective can distort the subject.
For documentary photographs, keep the camera far enough away and try to keep it parallel to the main surface when showing shape or control panels.
Angled views can be added to show depth, but they should not replace more neutral images.
This is particularly important for keyboards, rack units, mixers, pedals and front panels.
Not every photograph has to be identical, but the set should clearly belong to the same session.
Where possible, maintain:
- the same background;
- the same lighting;
- similar exposure;
- consistent orientation;
- comparable distance for equivalent views.
This makes it easier to compare front and rear views and to recognise real differences rather than differences created by photography.