Synths

Analog, digital, virtual-analog and hybrid synths for production and live use. Compare synthesis, polyphony, controls, memory, connections and condition.

Synthesis type changes the workflow

A synth should not be chosen only by the character of its presets. Subtractive, FM, wavetable, sample-based and hybrid designs provide different routes through oscillators, filters, envelopes and modulation. What matters is whether the panel exposes the parameters you need, not the published total of sounds.

Browse Eurorack for a reconfigurable system, or grooveboxes for integrated sequencing and standalone production. A master keyboard can control desktop modules or software without adding another keybed.

Monophony, polyphony and multitimbrality

A monophonic synth may be ideal for bass or lead but cannot play chords. Polyphony states how many voices can sound together and may fall when layers or complex engines are used. Multitimbrality is a separate feature: it allows different parts at the same time and matters in sequenced setups.

Memory, MIDI and integration

Check patch storage, backup, editor support, MIDI implementation, clock, sync and CV/Gate inputs where required. USB may carry MIDI, audio or both depending on the model. On discontinued synths, editor compatibility and access to firmware or parts can outweigh a rare feature.

Test beyond the presets on a used synth

Play every key and control, listen to every output, move pots and encoders slowly and confirm that patches remain after power-off. Jumping values, intermittent noise, a dim display and a depleted internal battery may need repair. Ask about modifications, previous work, correct power supply and associated licences before resetting the instrument.

From a broad category to a precise comparison

Choosing Synths requires more than finding two listings with the same label. Compare the complete model code, revision and included equipment because a version made for another instrument, market or production period may use different dimensions, connections or compatible parts. When the listing does not show those details, request photographs of labels and decision-making areas before comparing price.

Use Eurorack, grooveboxes and master keyboard to confirm that the item belongs in the intended branch. This prevents a complete system, an accessory and a replacement part from being treated as equivalents. The category guides discovery; the individual listing must then establish identity, operation and everything included in the sale.

FAQ

It depends on workflow and the sounds required. Analog is not automatically better; engine, controls, polyphony, memory and integration work together.
Normally it produces one voice at a time. Some instruments offer paraphonic modes, but these do not always provide fully independent polyphonic voices.
It is the maximum number of simultaneous voices. Layers, unison, effects or complex engines may consume additional voices, so actual behaviour depends on the architecture.
Request the exact model code, photographs of wear areas, a test of the main functions and a complete list of included accessories or spare parts. Ask the seller to disclose servicing, modifications and faults rather than inferring them from cosmetic condition alone.