Guitar pedals
Guitar and bass pedals covering gain, modulation, delay, reverb, dynamics and other effects. Compare controls, bypass, power, I/O and condition.
Pigtronix
Pigtronix Gamma Drive - Overdrive Con Equalizzatore a 2 Bande SPEDITO GRATIS€119.00
Sold in:
Italy
Mad Professor
Mad Professor Sweet Honey Overdrive - Pedale Overdrive Per Chitarra SPEDITO GRATIS€189.00
Sold in:
Italy
Strymon
Strymon Ultraviolet Vibe - EFFETTO CHORUS/VIBRATO A PEDALE PER CHITARRA, BASSO E TASTIERA SPEDITO GRATIS€259.00
Sold in:
Italy
Keeley
Keeley Angry Orange Distortion & Fuzz - EFFETTO DISTORSIONE / FUZZ A PEDALE SPEDITO GRATIS€219.00
Sold in:
Italy
Universal Audio
UNIVERSAL AUDIO Uafx Del-verb Ambience Companion SPEDITO GRATIS€379.00
Sold in:
Italy
Guitar pedals: start with the job each pedal has to do
A useful pedalboard is not measured by pedal count. Guitar pedals cover gain, modulation, ambience, dynamics, filters and utility functions, and each family solves a different problem. Define that problem before comparing brands or prices.
A boost can raise level or push the next gain stage. Overdrive, distortion and fuzz create saturation through different circuit approaches. Chorus, phaser, flanger, tremolo and vibrato add movement. Delay and reverb work with time and space, while compression, EQ, wah, filters and gates shape dynamics or frequency response.
If several combinations need to change at once, compare multi-effects pedals as well. The broader guitar effects section is useful when you want to compare pedal, floorboard and rack formats.
Simple controls and deep editing support different workflows
A level-tone-gain pedal is quick to read and adjust. A digital delay may add subdivisions, tap tempo, modulation, presets, MIDI and expression control. Neither approach is automatically better. The deciding factor is how much editing you need during rehearsal or performance.
For a small set of sounds, menu depth can become unnecessary friction. For a complex show, preset memory and remote control can remove several foot operations. Compact hardware can also hide secondary functions behind long presses or switch combinations, so live usability deserves the same attention as the effect list.
True bypass and buffered bypass both have valid uses
True bypass removes the main effect circuit from the path when the pedal is off. Buffered bypass keeps an active stage in circuit and can help drive long cable runs or larger boards. The practical result depends on cable length, input and output impedances, buffer position and any pedals that react strongly to what is connected before them.
Treat the whole board as a system rather than using one bypass type as a universal quality label.
Power compatibility is non-negotiable
Pedals may share a connector shape while requiring different voltage, polarity or current. Check the label and manufacturer specification before connecting a supply. A supply that can provide more current than the pedal draws is normally acceptable when voltage and polarity match; an unsupported voltage can damage hardware.
On larger boards, isolated power outputs can help control some ground-loop and noise problems, particularly when digital and analogue devices share the board.
Stereo, MIDI and expression only matter when the rig uses them
Stereo reverb has little value if the rest of the rig collapses immediately to mono. MIDI becomes useful for preset recall, tempo sync or parameter automation. Expression inputs can provide continuous control over mix, feedback, pitch or other parameters. Compare these features against the amplifier, switcher or interface you actually use.
Used guitar pedals: test the wear points
Start with the footswitches, potentiometers, jacks and power connector. A pot may scratch only while moving or have dead spots; a loose jack can cut the signal when the cable shifts. On digital pedals, test the display, encoders, USB or data ports, preset memory and every output.
Velcro and finish marks are often cosmetic. Extra holes, circuit modifications, power conversions and previous repairs are more important because they affect originality, serviceability and future reliability.
From a broad category to a precise comparison
Choosing Guitar pedals requires more than finding two listings with the same label. Compare the complete model code, revision and included equipment because a version made for another instrument, market or production period may use different dimensions, connections or compatible parts. When the listing does not show those details, request photographs of labels and decision-making areas before comparing price.
Use multi-effects pedals and guitar effects to confirm that the item belongs in the intended branch. This prevents a complete system, an accessory and a replacement part from being treated as equivalents. The category guides discovery; the individual listing must then establish identity, operation and everything included in the sale.