Professional vocal microphones for singers: 10 models to know in 2025

If you sing live or record at home, your **microphone is your main instrument** together with your voice. Choosing the right mic means more control over your so...

If you sing live or record at home, your microphone is your main instrument together with your voice. Choosing the right mic means more control over your sound, fewer feedback problems, more presence in the mix and more consistent performances from gig to gig.

In this article we’ll look at 10 professional vocal microphones for singers you should know in 2025, with their strengths, ideal use cases and where they shine the most. This is not an absolute ranking, but a practical guide to some of the most trusted and widely used models.

To see what’s available on the market, you can start with a generic search for vocal microphones for singers on Muviber.

How we selected these 10 microphones

We chose these models based on:

Real-world reliability: mics used for years on stage, in rehearsal rooms and on tour;
Vocal focus: designed with singers in mind, not just generic “instrument” mics;
Value for money across different budgets;
Variety of sonic characters: some more neutral, others more present or smooth;
Actual availability (new and used), also through marketplaces like Muviber.

For each model, you’ll find a link to a matching search on Muviber so you can check listings and offers right away.

1. Shure SM58 – The timeless classic

It’s hard to talk about vocal microphones without mentioning the Shure SM58. It’s one of the most famous cardioid dynamic mics in the world and a true standard for live gigs, rehearsal rooms, venues and festivals.

Why you should know it:

Balanced sound with a slight midrange boost that helps vocals cut through;
Very robust build, it can take drops, humidity and heavy use;
Proven feedback handling, especially in “real world” situations.

To see what’s out there, search for Shure SM58 on Muviber.

Best for:

Rock/pop singers;
Cover bands, bars, clubs and festivals;
Anyone who wants a workhorse mic that just works.

2. Shure Beta 58A – More presence and definition

The Shure Beta 58A is often seen as the more modern sibling of the SM58. It’s a supercardioid dynamic mic with a brighter, more present top end.

What it offers over the SM58:

Supercardioid pattern → better side rejection;
More detail in the highs;
Slightly higher sensitivity, useful for voices that need extra clarity.

You can check Shure Beta 58A on Muviber for listings and used deals.

Best for:

Singers who want more “air” and presence;
Loud stages with many monitors and side fills;
SM58 users looking for an upgrade.

3. Sennheiser e935 – Full and controlled vocal tone

The Sennheiser e935 is a cardioid dynamic mic known for its full yet controlled vocal sound. It keeps the tone stable even when you move slightly off-axis.

Strengths:

Full tone with well-controlled lows and present mids;
Very good feedback resistance;
Consistent sound even with minor movement around the capsule.

To compare prices and offers, look up Sennheiser e935 on Muviber.

Best for:

Pop/rock singers who want a smoother sound;
Singers who move around the stage a lot;
Anyone looking for a strong alternative to the Shure ecosystem.

4. Sennheiser e945 – Supercardioid control for loud stages

The Sennheiser e945 takes the e935 concept and adds a supercardioid pattern, offering even more focus on the voice and more isolation from the environment.

Why consider it:

Supercardioid pattern → excellent side and rear rejection;
Rich, detailed sound that suits strong lead vocals;
Great feedback control, even at high stage volumes.

Search Sennheiser e945 on Muviber to see what’s available.

Best for:

Lead singers in rock, metal and pop bands with loud stages;
Situations with many monitors close to the singer;
Vocalists who need to cut through dense mixes.

5. AKG D5 – Solid supercardioid on a budget

The AKG D5 is a supercardioid dynamic mic that offers a solid balance of price, durability and professional performance.

Key features:

Supercardioid pattern to reduce bleed from other instruments;
Midrange presence that helps the voice sit in the mix;
Rock-solid build quality tailored for live use.

Check AKG D5 on Muviber for new and used options.

Best for:

Singers who want a professional mic without breaking the bank;
Small to medium venues;
Situations where feedback control is important.

6. Beyerdynamic TG V70d – Bold character for powerful voices

The Beyerdynamic TG V70d is a supercardioid dynamic mic with a strong, focused character, designed specifically for vocals.

Why singers like it:

Present and punchy sound with defined mids;
Strong isolation from surrounding noise;
Rugged build for touring and heavy use.

Search Beyerdynamic TG V70d on Muviber to see available listings.

Best for:

Rock and metal singers or any high-energy genre;
Voices that need to stand out in dense mixes;
Singers looking for something different from the usual suspects.

7. Rode M2 – Stage condenser for extra detail

The Rode M2 is a condenser microphone built for the stage. It combines condenser detail and sensitivity with a rugged live-ready design.

What it brings to the table:

More detail and brightness than many dynamic mics;
Good feedback control for a stage condenser;
Great for singers who want nuance and clarity.

Look up Rode M2 on Muviber to explore current offers.

Best for:

Pop, acoustic and singer-songwriter vocals;
Controlled live environments (not insanely loud stages);
Singers who want a bridge between live and studio sound.

8. Audio-Technica AE6100 – Punch and intelligibility

The Audio-Technica AE6100 is a supercardioid dynamic mic designed for speech and vocal intelligibility, with a strong, focused presence.

Strengths:

Clear and articulate highs and upper mids;
Tight polar pattern, great for busy stages;
Touring-grade construction.

To compare this and similar options, search Audio-Technica AE6100 on Muviber.

Best for:

Singers who want lyrics to be clearly understood;
Complex stage setups with many instruments and wedges;
Vocalists who want a mic with character but good control.

9. Electro-Voice ND86 – Focus and control on complex stages

The Electro-Voice ND86 is a supercardioid dynamic mic built for focus and control in demanding live environments.

Key characteristics:

Supercardioid pattern with excellent rejection;
Balanced tone with clear but not harsh highs;
Designed for real-life stage pressure and volume.

Explore available offers by searching Electro-Voice ND86 on Muviber.

Best for:

Lead singers on loud stages;
Setups with many monitors and side fills;
Singers who want predictable, stable behaviour on tour.

10. Shure SM7B – The studio favourite loved by rock singers

The Shure SM7B started as a broadcast/studio mic, but over time it has become iconic for rock and metal vocals, podcasts and online content.

It’s not the typical stage mic, but many singers use it in home studios for powerful vocals, screams and aggressive parts.

Why you should know it:

Full, controlled sound with great sibilance management;
Much better room rejection than many condensers;
Versatile: vocals, guitars, spoken word, streaming and more.

Search Shure SM7B on Muviber to see new and used deals.

Best for:

Rock/metal singers recording at home;
Content creators, streamers and podcasters;
Anyone looking for a modern studio classic.

How to choose the right mic among these 10

After reading about the models, the real question is: which one fits you best? Here are some practical criteria:

Main use case
- Mostly live? → focus on cardioid/supercardioid dynamics (SM58, Beta 58A, e935, D5...).
- Lots of home recording? → consider options like the Rode M2 or SM7B as well.
Genre and vocal style
- Rock/metal → Beta 58A, e945, TG V70d, ND86, SM7B.
- Pop/singer-songwriter → e935, Rode M2, SM58.
Stage volume
- Very loud stages → supercardioid mics with strong isolation (Beta 58A, e945, D5, TG V70d, ND86).
- Quieter or more controlled stages → cardioids (SM58, e935) and stage condensers (M2).
Budget
- Entry/mid range → SM58, D5, some Sennheiser and AKG models on the used market.
- Mid/high → Beta 58A, e935/e945, TG V70d, ND86, SM7B.

Remember, technique matters as much as the microphone: distance, angle, breath control and dynamics often make a bigger difference than switching models.

If you want to compare all the mics mentioned here in one go, start from professional vocal microphones for singers on Muviber and then filter by brand and price range.

FAQ – Frequently asked questions about vocal microphones for singers

Is a cardioid or supercardioid mic better for live vocals?

It depends on the stage. Cardioid mics are more forgiving and easier to handle, while supercardioid mics offer more isolation but require more careful monitor placement. If you’re just starting out, a good cardioid is usually the safest bet.

Does changing microphones really improve my sound?

It can make a big difference, but it’s not the only factor. Vocal technique, mic handling, PA system and mixing all matter a lot. A good microphone, however, helps you make the most of your setup.

Can I use a condenser mic on stage?

Yes, especially on reasonably controlled stages with good monitoring and a sound engineer who knows how to deal with condensers. Mics like the Rode M2 are specifically designed for this kind of use.

If I only record at home, is it worth getting one of these mics?

Definitely. Many of these mics (SM58, Beta 58A, e935, SM7B...) are great for home recording, especially if your room is not acoustically treated and you want to avoid capturing too much of the room.

Is it worth having two different mics, one for live and one for studio?

If you perform a lot, it can be a great idea: a rugged dynamic mic for live use and a more refined studio-oriented mic (a condenser or SM7B) for recording. If your budget is limited, though, it’s usually better to get one good mic and learn how to use it really well.