When does it make sense to spend more than €200 on an audio interface?

It makes sense when you regularly record more than 2–4 inputs at once, work with lots of external artists or need advanced features such as onboard DSP, integrated monitor control and multiple output paths. For beginners, however, staying under €200 is more than enough.

Budget audio interface under €200: 7 great models to start recording

You want to start recording at home – vocals, guitar, keys, maybe a podcast – but you’re not sure **which audio interface to buy**. The good news: under **€200*...

You want to start recording at home – vocals, guitar, keys, maybe a podcast – but you’re not sure which audio interface to buy. The good news: under €200 you can get USB interfaces with:

clean mic preamps,
reasonably stable drivers,
enough I/O for home studios, demos and online content.

In this guide we’ll cover:

what you really need in a budget audio interface;
how to read the basic specs without getting lost;
7 models under €200 that are perfect for getting started.

Price ranges here are approximate and can change depending on stores and deals, but we stay roughly in the €70–200 bracket.

1. What you actually need to get started

Before worrying about models, be clear about how you’ll use the interface.

1.1 How many inputs do you need?

For beginners, most of the time you just need:

1 mic input + 1 instrument input → great for singer‑songwriters and solo podcasters;
2 XLR/jack combo inputs → voice + guitar, two mics, or a stereo keyboard.

If you want to record full drum kits or whole bands with multiple mics, you’re already beyond the "budget" range.

1.2 Drivers and latency

Among interfaces under €200, sound quality is often surprisingly similar. The real differences are:

driver stability;
latency (the delay between playing and hearing yourself back);
the presence of direct monitoring so you can hear yourself without going through the computer.

1.3 Minimum sensible feature set

A budget audio interface that’s still usable for home recording should give you:

at least 1 mic preamp with +48V phantom power;
monitor outputs plus a dedicated headphone output;
individual gain controls for the inputs;
a USB connection that works reliably with your OS (Windows/macOS, sometimes iOS/Android).

2. Reading the specs without going crazy

Quick cheat sheet:

Resolution: 24‑bit/96kHz is plenty (many go up to 192kHz, but that’s not the main point).
Preamps: look for enough gain if you use dynamic mics like an SM57/SM58.
Combo inputs: take both XLR and jack plugs.
MIDI I/O: only necessary if you want to connect hardware synths or keyboards via MIDI DIN.

If all spec sheets look the same, focus on I/O, drivers and workflow.

3. 7 budget audio interfaces under €200

3.1 Behringer U-Phoria UMC22 – ultra cheap starter

Perfect if you want to spend as little as possible and record:

a vocal mic,
a guitar or bass,
basic demos or a simple podcast.

Best for

Absolute beginners who want to try home recording.
Singer‑songwriters recording one track at a time.

Pros

Extremely low price.
Simple layout, very easy to operate.

Cons

No MIDI.
Only 1 mic preamp and 1 instrument input.

Approx. price range: ~€40–60.

3.2 Behringer U-Phoria UMC204HD – budget but already "studio‑like"

Compared to the UMC22, the UMC204HD offers:

2 combo XLR/jack mic preamps;
more outputs and flexible routing;
MIDI In/Out.

Best for

Voice + guitar duos.
Musicians using hardware synths or keyboards via MIDI.

Pros

Still very affordable for what it offers.
More I/O than most competitors in this price bracket.

Cons

Software bundle is basic.
Build quality is fine for the price but not "premium".

Approx. price range: ~€70–100.

3.3 Focusrite Scarlett Solo (4th Gen) – the first "serious" upgrade

The Scarlett Solo is often the first "serious" interface people buy:

1 XLR mic input;
1 instrument input for guitar/bass;
clean preamps with Air mode to brighten your sound.

Best for

Singer‑songwriters (voice + guitar).
Solo podcasters.
Creators recording one source at a time.

Pros

Mature, stable drivers.
Good‑sounding preamps.
Strong software bundle (DAW lite, plugins, etc.).

Cons

No second mic preamp: if you need two mics, the 2i2 is a better choice.

Approx. price range: ~€120–150.

3.4 Focusrite Scarlett 2i2 (4th Gen) – the home studio standard

The Scarlett 2i2 is one of the most common interfaces in home studios worldwide.

2 XLR/jack combo inputs;
solid preamps with Air mode;
direct monitoring and reliable drivers.

Best for

Voice + guitar duos.
Recording two mics at the same time.
Producers who want a solid, straightforward workhorse.

Pros

De facto standard: lots of tutorials and presets built around it.
Very good balance of price, quality and ease of use.

Cons

No MIDI.
If you need more than 2 inputs, you’ll have to move up the range.

Approx. price range: ~€160–190.

3.5 Audient EVO 4 – compact, smart, great preamps

The Audient EVO 4 focuses on two things:

high‑quality preamps for the price;
smart features (auto gain, easy monitoring) for beginners.

Best for

Singer‑songwriters who care a lot about vocal sound.
Musicians who want a small but well‑designed interface.

Pros

Quiet, transparent preamps.
Auto gain helps you avoid clipping.
Minimal, portable design.

Cons

No MIDI I/O.
Very clean and minimal layout – not everyone likes the one‑knob approach.

Approx. price range: ~€120–170.

3.6 Steinberg UR22C – solid with MIDI and Cubase integration

The UR22C is very popular among Cubase users, but it works great with any DAW:

2 XLR/jack combo inputs;
MIDI In/Out;
stable drivers and good integration with PC, Mac and iPad.

Best for

Cubase users.
Producers with hardware synths or MIDI keyboards.

Pros

Rugged metal case.
MIDI ports and a useful software bundle.

Cons

More "traditional" front panel design – not ultra‑minimal.

Approx. price range: ~€130–170.

3.7 Arturia MiniFuse 2 – for hybrid creators and producers

The MiniFuse 2 is designed for people who do a bit of everything:

music production, streaming, content creation;
2 XLR/jack combo inputs;
built‑in USB hub (great for plugging in a USB MIDI keyboard).

Best for

Laptop producers with compact setups.
Creators recording voice + instrument.

Pros

Very rich software bundle (plugins, virtual instruments, DAW lite).
Built‑in USB hub is extremely handy on crowded desks.

Cons

No MIDI DIN ports (UR22C or UMC204HD are better if you need that).

Approx. price range: ~€130–180.

4. How to choose between these 7 interfaces

Quick decision guide:

Lowest possible budget → Behringer UMC22 / UMC204HD.
Stable, widely used standard → Focusrite Scarlett Solo or 2i2.
Preamp quality first → Audient EVO 4.
Need MIDI DIN → Steinberg UR22C or Behringer UMC204HD.
Also doing streaming/content creation → Arturia MiniFuse 2, Scarlett 2i2.

If you’re stuck between 2–3 options, ask yourself:

How many mic inputs do I really use at the same time?
Do I need MIDI DIN or is USB enough for my gear?
Do I prefer portability or more knobs and connections?

FAQ – Budget audio interface under €200

Is a budget audio interface enough to make "serious" records?

For many projects, yes. The big difference usually comes from songwriting, performance, arrangement and mixing, not from upgrading an interface from €150 to €800. Limitations appear mainly when you need to record many sources at once or work in very demanding professional contexts.

Is a cheap dedicated interface better than my computer’s built‑in sound card?

Yes. Built‑in sound cards are made for general use (video, calls, games). A USB audio interface gives you:

proper mic preamps with phantom power;
ASIO/Core Audio drivers;
lower latency;
balanced outputs for studio monitors.

It’s a key step towards a real home studio.

Do I really need USB‑C or is USB‑A fine?

In terms of pure audio quality, it doesn’t matter. USB‑C is more convenient and modern (and often signals a newer design), but as long as the interface has good drivers and performs well, classic USB 2.0 is absolutely fine.