Digital pianos

E-piano: what it really is and how to choose the right digital piano for you

You’re looking for a **digital piano**, but everywhere you see "e-piano", "stage piano", "keyboard", "workstation" and it’s not clear what’s what. Totally norma...

You’re looking for a digital piano, but everywhere you see "e-piano", "stage piano", "keyboard", "workstation" and it’s not clear what’s what. Totally normal: the keyboard world is full of overlapping categories and vague names.

In this guide we’ll go straight to the point:

  • what an e-piano actually is today;
  • the difference between digital piano, stage piano, keyboard and synth;
  • how to choose the right instrument based on space, budget and real use;
  • some tips for browsing listings without drowning in specs.

To get a feel for real instruments, you can start from:


1. What an e-piano really is today

Historically, "e-piano" meant electric pianos like Rhodes, Wurlitzer, CP70 and so on. Today, in everyday language, many people use "e-piano" simply to mean digital piano.

In practice, when you read:

  • e-piano / epiano / digital piano → it usually refers to an instrument with:

    • a keyboard (often 88 keys);
    • a digital sound engine;
    • realistic acoustic piano sounds plus useful extras (Rhodes, Wurli, pads, strings…);
    • sometimes a furniture-style stand with integrated pedals.

What matters most is not the exact label, but what it does and how it fits your life.


2. Digital piano, stage piano, keyboard, synth: key differences

2.1 Home digital piano

Designed for home practice and lessons:

  • usually 88 weighted or graded hammer keys;
  • main focus on a credible acoustic piano sound;
  • often a cabinet with legs and 3 integrated pedals;
  • built-in speakers.

Perfect if you want to study piano seriously and get a similar feeling to an acoustic, but with volume control and headphones.

Check digital pianos with cabinet if you want a stable, furniture-style solution.

2.2 Stage piano

Designed for live performance, rehearsals and mobile studios:

  • usually 88 weighted keys but no furniture (just the chassis);
  • fewer “home” functions, more focus on sound and live control;
  • used by gigging keyboard players alongside other gear.

If you play in a band or on stage, look for 88 key stage pianos.

2.3 Keyboard / arranger

Aimed more at entertainment and auto accompaniment:

  • often 61 or 76 unweighted or semi-weighted keys;
  • built-in styles, rhythms and backing arrangements;
  • many different sounds, one-man-band oriented features.

They’re fun and versatile, but not ideal if your main goal is classical or modern piano study.

2.4 Synth and workstation

Built for sound design, production and advanced live rigs:

  • usually unweighted keys;
  • complex sound engines, sequencers, arpeggiators;
  • less focused on realistic piano, more on creative textures and performance.

3. When a digital piano makes more sense than an acoustic

Acoustic pianos are still king for pure feel and dynamics, but digital wins in many practical scenarios:

  • adjustable volume and headphone output → perfect for apartments;
  • no tuning costs → much lower long-term maintenance;
  • smaller footprint and less weight;
  • additional sounds (Rhodes, Wurli, pads, strings) for bands and recording.

If you live in a flat, have strict quiet hours or want easy recording, an 88 key digital piano is often the smartest choice.


4. How to choose the right digital piano for you

4.1 Start from your main use

First, be honest about what you will really do with it:

  • Classical / serious study → key feel and pedal realism are critical;
  • Pop, rock, worship, live → robust stage piano + good audio outputs;
  • Home studio production → good keybed + USB/MIDI integration.

Depending on your answer, you can filter Muviber listings, for example:

4.2 Keys: count, weighting and feel

Three main aspects:

  1. Key count

    • 88 keys → full range, recommended for serious piano practice;
    • 73/76 keys → compromise between portability and range;
    • 61 keys → closer to a keyboard than a true piano.
  2. Weighting

    • Hammer / graded hammer → simulates an acoustic piano action, ideal for study;
    • semi-weighted → compromise, often found on stage and versatile keyboards;
    • unweighted → more like organ or synth.
  3. Feel Each brand has its own action: if possible, try in person or read detailed user feedback.

4.3 Sound: not just the main piano patch

Beyond the core piano sound, consider:

  • quality of electric pianos (Rhodes, Wurli);
  • organ, pad and string sounds to enrich arrangements;
  • basic built-in reverb, chorus, delay.

If you like playing multiple styles, a good stage piano with varied sounds might be more useful than a "piano-only" model.

4.4 Speakers, outputs and connectivity

Always check the practical side:

  • built-in speakers: handy at home, but on stage you’ll use line outs → PA;
  • audio outputs: balanced (jack/XLR) are preferable for gigging;
  • headphone out for late-night practice;
  • USB/MIDI to use it as a master keyboard with your DAW;
  • optional audio over USB for hassle-free recording.

If studio use matters, look at digital pianos with USB.

4.5 Size, weight and furniture

  • digital pianos with fixed cabinet: more stable, nicer in a living room, less portable;
  • stage pianos: much easier to move, but you’ll need a separate stand.

Think about where the instrument will sit 90% of the time: if it rarely moves, a cabinet might be a big plus.


5. Budget tiers: entry, mid and pro

5.1 Entry level

For beginners or tight budgets:

  • 88 key digital pianos with basic hammer action;
  • more than enough to start learning properly.

Check budget digital pianos.

5.2 Mid range

For serious students or active band players:

  • better key actions;
  • more refined sounds;
  • richer connectivity.

5.3 Pro tier

For frequent gigging or studio-heavy use:

  • highly refined keybeds;
  • flagship sounds, sometimes expandable via libraries;
  • robust construction ready for touring.

You can often save by looking at used digital pianos.


6. New vs used digital pianos

Pros of buying new

  • full warranty;
  • no doubts about wear on keys and electronics;
  • latest features and updates.

Pros of buying used

  • move up a quality tier with the same budget;
  • many slightly older models are still excellent.

What to check on used units:

  • no weird noises or uneven feel on the keys;
  • every key triggers sound properly (no dead notes);
  • knobs and buttons behave correctly, no audio dropouts;
  • no noticeable hum on the outputs.

FAQ – E-piano and digital piano questions

Can I study classical piano on a digital piano?

Yes, as long as it has 88 weighted keys and a good action. It won’t fully replace a grand piano, but it’s more than enough for many years of study, especially if you have space or neighbour constraints.


Is a cabinet-style digital piano or a stage piano better?

If you mostly play at home and care about stability and looks, a cabinet digital piano is ideal. If you travel for rehearsals and gigs, a stage piano on a stand is far more practical.


How many keys do I really need?

For serious piano practice: 88 keys. For pop/rock band work with more portability, 73/76 can be fine. Below 73 you’re more in keyboard/synth territory than in full piano land.


Can an e-piano double as a studio master keyboard?

Absolutely, if it has USB/MIDI you can use it to control plugins and virtual instruments. Many producers love having a weighted keyboard to play piano parts and expressive pads.


How long do digital pianos usually last?

With reasonable care, many instruments easily go 10–15 years or more. Modern electronics are quite reliable; what matters most is how they’ve been treated (humidity, knocks, rough transport).


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